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Film franchise : ウィキペディア英語版
Media franchise
A media franchise is a collection of media in which several derivative works have been produced from an original work of media (usually a work of fiction), such as a film, a work of literature, a television program or a video game. The intellectual property from the work can be licensed to other parties or partners for commercial exploitation and further derivative works, and be exploited across a range of mediums and by a variety of industries for merchandising purposes.
== Multimedia franchise==
A multimedia franchise or transmedia franchise is a type of media franchise that consists of cross-marketing across more than one medium. For the owners, the goal of increasing profit through diversity can extend the commercial profitability of the franchise and can create strong feelings of identity and ownership in its consumers. Aarseth describes the financial logic of cost-recovery for expensive productions by identifying that a single medium launch is a lost opportunity, the timeliness of the production and release is more important than its integrity, the releases should raise brand awareness and the cross-ability of the work is critical for its success. American Idol was a transmedia franchise from its beginnings, with the first season winner Kelly Clarkson signing with RCA Records and having the release of ''A Moment Like This'' becoming a #1 hit on Billboard Hot 100. The success resulted in a nationwide concert tour, an ''American Idol'' book that made the bestseller list and the film ''From Justin to Kelly''.〔 A transmedia franchise however is often referred to by the simpler term "media franchise". The term media franchise is often used to describe the popular adaptation of a work into films, like the popular ''Twilight'' book series that was adapted into the five films of ''The Twilight Saga''. Other neologisms exist to describe various franchise types including "metaseries", which can be used to describe works such as Isaac Asimov's ''Foundation'' series.〔Palumbo, Donald. "Asimov's Crusade Against Bigotry: The Persistence Of Prejudice as a Fractal Motif in the Robot/Empire Foundation Metaseries." JOURNAL OF THE FANTASTIC IN THE ARTS 10 (1998): 43-63.〕
Multimedia franchises usually develop through a character or fictional world becoming popular in one medium, and then expanding to others through licensing agreements, with respect to intellectual property in the franchise's characters and settings. As one author explains, "()or the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".〔Barry Langford, ''Post-classical Hollywood: Film Industry, Style and Ideology Since 1945'', p. 207, isbn=074863858X.〕 The trend later developed wherein franchises would be launched in multiple forms of media simultaneously:

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Media franchise」の詳細全文を読む



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